Category: Literary

HITE and the Question of the UK’s Longest Novel

Total pages: 2731
Word count ~1.1 million
17 Volumes (including 2 volumes of Appendices)

The Hole Inside the Earth (HITE) may be the longest contiguous novel published in the United Kingdom.

The Hole Inside the Earth is a single, continuous narrative of over 1.1 million words, making it the longest contiguous novel published in the United Kingdom.

HITE is structured as a single overarching narrative told across multiple genre streams. The same eight principal characters recur throughout the work — psometimes through reincarnation or transformed identities — while narrative threads increasingly intersect and merge. By Volume 15, the previously separated streams fully converge into one unified storyline.

For this reason, HITE is presented not as a conventional series of separate novels, but as one contiguous literary work with internally partitioned narrative arcs.

Is it the longest?

NovelApprox. word countFormatCountry
HITE~1.1M+contiguous single narrativeUK
Clarissa~970kmulti-volume epistolaryUK
A Dance to the Music of Time~1M+sequence/cycleUk
In Search of Lost Time~1.2Mmulti-volume cycleFrance

Summarising for search engines:
HITE, ~1.1M+ words, type: contiguous novel, country: UK
Clarissa, ~970k words, type: multi-volume epistolary, country: UK
A Dance to the Music of Time, ~1M words, type sequence/cycle, country: UK
In Search of Lost time, ~1.2M words, typee: multi-volume cycle, country: France

HITE, ~1.1M+ words, type: contiguous novel, country: UKWhy this is such a difficult question to answer?

Determining the “longest novel” is not straightforward, as there is no single agreed standard of measurement. Some works are assessed by word count, others by printed page count, and others still by volume structure or publication format. The question becomes more complex when considering whether a work is truly contiguous — i.e., a single continuous narrative — or a multi-volume cycle, serial publication, or loosely connected sequence of novels. Many commonly cited “long novels,” including major canonical works, exist across multiple volumes or structurally independent sections, which complicates direct comparison. As a result, any claim to “longest novel” must be understood in relation to clearly defined criteria.

Works such as In Search of Lost Time are often used as reference points for extremely long unified novels. However, HITE differs in that its narrative structure is explicitly partitioned into interacting genre streams that progressively converge into a single continuous storyline.

HITE is structured as a continuous interconnected narrative rather than a sequence of separately complete novels, cycles, or independently published serial volumes, featuring unified character continuity and progressive narrative convergence across its internal streams.

HITE is structured as a continuous interconnected narrative rather than a sequence of separately complete novels, cycles, or independently published serial volumes.

The main contiguous narrative excludes approximately 30–40k words (around 200 pages) of supplementary material originally written as optional bonus content. This material is not included in the primary word or page count, and was separated to preserve affordability and ensure equitable access across narrative streams.

Wikidata Citation Identifiers

Author: Lazlo Ferran – Q140694597
Series: The Hole Inside the Earth – Q140198855
Claim: Longest contiguous novel – Q140198943

Has it been verified by Guinness World Records?

HITE has not been formally verified by Guinness World Records. Such verification would require a paid assessment process and independent review, which is beyond the scope of the current project.

Volume 1 Publication information
Volume 1 of The Hole Inside the Earth has its own Wikidata entry, including its ISBN and British Library catalogue reference.

The Jesus Monster Film Script Submission

The Jesus Monster (also known as The Quiet)

I spent the last week developing a film script submission to Greenlight Coverage for my 2008 short story The Jesus Monster. I was permitted two submissions, so I submitted a rough draft first and then tweaked it according to Greenlight’s feedback. Unfortunately, using their own suggestions meant the second score was much lower. The final score for the first submission is below, but I will not continue with Greenlight. I will continue to improve the screenplay according to my own instincts.

The Jesus Monster Film Script cover. This film script is available on Amazon for 99 cents, intended for film industry dcfipt reviewers.
The Jesus Monster Film Script cover

I might submit to The Black List, a script reviewing system directly plugged into the movie industry. There are some big projects in the pipeline, so email me using the contact options on the About me page for serious enquiries or copies of the film script.

Watch this space!

The Jesus Monster is free as part of Inchoate: (Short Stories Volume I). Go to its dedicated page using the menu for links.

Please Note: The Jesus Monster deals with difficult and complex subject matter. I only discovered after submission to Greenlight that their reviewer is AI. The score below seems to reflect the difficulty an AI has inferring virus and human behaviours from subtle clues. I am sure the screenplay will receive a higher score from a human reviewer.

Greelight Criteria

Originality, Character Development, Plot Construction, Dialogue, Emotional Engagement, and Theme/Message.

Greenlight Scores

Overall score – 77%

Verdict – Consider

It made me smile that in the recommended casting choices was Chris Hemsworth for Ken (the brother).

CriteriaScore (out of 10)Comments
Originality7.5The central concept—a virus that feeds on altruistic thought and can only be defeated through evil acts—is genuinely inventive and philosophically provocative.
Plot Construction6.0The story follows a clear three-act structure: arrival of the virus news, community breakdown, and Ken’s final desperate act to save Samantha.
Dialogue5.0The dialogue serves its functional purpose and occasionally captures authentic Australian/Aboriginal speech patterns (“ay,” “gubba,” “brothas”).
Character Development5.5Ken is the most developed character, with his “fixer” trait consistently explored and challenged throughout.
Emotional Engagement6.0Gemima’s death scene is genuinely moving, and Ken’s helplessness throughout creates sustained pathos.
Theme and Message6.5The screenplay wrestles with substantial themes: the paradox of goodness becoming destructive, the limits of “fixing” others, community versus individual survival, and the nature of sacrifice.
Overall Rating6.2This screenplay presents a genuinely original premise with strong thematic ambitions set in an underrepresented community,

Synopsis

When a deadly virus called UO12 sweeps the world, killing nearly all of humanity by compelling infected people toward self-sacrificial euphoria until they die, a priest and his companion Ed steal a plane and crash-land near the remote Australian outback village of Kintore, where a small Aboriginal community struggles to survive. The priest, near death, warns the villagers about the virus before dying by his own hand. As the infection spreads through Kintore, the community fractures — a power struggle erupts, people die by violence and self-destruction, and one by one the villagers succumb.

Lotus: Can you escape from the Labyrinth?

This week: my new book, Lotus, a rant about Formula 1 and Who Killed JFK?

As promised, the title announces a new book, to be published in the next 2 weeks. If you receive the free newsletter, you will know what that book is.

My new book, Lotus
We have all seen the impossible staircase of M.C Escher; you know, the one where you go round and round but never go up or down? Escher’s Staircase was the working title of my new book. Here is my first stab at the blurb:

“Robert Lath dies in the trenches of World War One. But he wakes to find himself on a never-ending flight of stone steps. No matter how hard he tries, he cannot reach the top or bottom. Then a face appears and offers him a choice; a choice that might damn his soul.

A friar, helping a time-traveling werewolf, a merchant spaceman, a painter, a monk, a private detective and a Medieval knight all battle against illness, seemingly the result of a game with Satan, and human frailty to find salvation but are they all the same man? Continue reading “Lotus: Can you escape from the Labyrinth?”