Science – and Best Film Car Chase Vote

I have been concentrating on Iron II – sci-fi which is so much easier to work on when I am busy at work. I find writing about religion very draining so Ordo II will have to wait for a while.

The science for Iron I has been fascinating but trying to cram in enough of a framework to make a world or indeed a universe, believable while not boring the reader is quite a challenge. Sometimes I have a very simple idea in my head but in order to make it happen I have to do all sorts of contortions in the book.

Is it possible to have this sentence, about an alien, or does the use of ‘morse-code’ kind of break the illusion, because morse-code is only of our world? Please let me know.

“He tapped the chloro-funnel with his extended thumb-claw, in a kind of irritated morse-code, as if to warn anybody off who might want a conversation.” Continue reading “Science – and Best Film Car Chase Vote”

Results: Best Drunk in Film

Here is the results by my calculation:

16 Martin Sheen in Apocalypse Now
14 The Butler in Dinner for One
13 Walter Matthau in Earthquake
12 Nicholas Cage in Leaving Las Vegas
11 Lee Marvin in Paint Your Wagons
10 Cary Grant in North by North West
9 Robert Mitchum in El Dorado
7 Olly Reed in Oliver
6 Lee Marvin in Shout at the Devil
6 Lee Marvin in Cat Ballou

Lee Marvin drew with himself there.