Category: Social commentator

How the Web Was Won: Part 1 – Discovery

Note: The names of people are probably aliases.

Studying aeronautical engineering at Queen Mary College in 1982 exposed me to programming using BASIC, but it was cumbersome. After a diploma and short career in Graphics, followed by a period in the music industry, I trained on desktop computers and contracted using QuarkXpress, PageMaker, Adobe Illustrator and Adobe Photoshop for companies like BT and Dorling Kindersley.

I arrived at Nortel on a short-term contract as a desktop publishing specialist, where I had to quickly learn Aldus FreeHand. My job was mainly visual: producing brochures, manuals and technical illustrations. Over time I became the person who produced many of the illustrations for their satellite and fibre optic equipment. Some of the diagrams were enormous by the standards of the time — complex FreeHand files with well over a hundred layers, sometimes requiring two people simply to manage the separation of the artwork.

Software testing at 5 am.
Software testing at 5 am.

I understood the communications technology visually long before I understood it technically.

The moment that changed everything came in late 1994. I was called into the office of one of the senior engineers, waiting for a photograph of a modified satellite component. While I was watching his computer screen, I noticed a small animated dog running across it. At the time, seeing animation on a computer was unusual enough that I asked what it was.

He explained that it was called Fetch. Fetch was an FTP client — File Transfer Protocol — and he explained that it was being used to transfer files over something called the Internet.

At that moment I thought I was discovering the Internet, although what I was really discovering was one small part of what would become the World Wide Web. The distinction wasn’t obvious at the time. To many of us, the Internet and the Web were the same mysterious new thing, but everybody had been talking about it, and I hadn’t noticed. 

When I had mastered the illustration packages and other departments came knocking, even my dour, pony-tailed teacher seemed impressed. but a female colleague who was used to claiming all the men’s ties at the Christmas Party didn’t get mine! Even at a conservative company like Nortel, there were rebels.

I left Nortel in early 1995, but I was curious. I discovered that Holloway Library in North London had one of the few public internet terminals available locally. I booked regular sessions on it, often finding that I was the only person in the booking diary.

The process was far from simple. There was a thick folder of instructions, and connecting involved a 14.4 kbps modem and several pages of steps. It could take around twenty minutes just to get online.

When I finally connected, the Web was a very different place from what we know today. Most pages were simply text: black letters on a white background, occasionally white text on black. Images were rare.

Then I discovered websites that contained actual pictures.

One of the first memorable examples was Caltech, where I found crude colour bitmap images showing things like tidal charts and photographs of the coastline. I also visited NASA, which seemed like the obvious destination for someone fascinated by technology and space. Seeing those first images appear over a slow modem connection was astonishing. They were technically unimpressive by modern standards, but at the time they felt like a glimpse of the future.

That was when I decided I needed to learn how this new medium actually worked.

Part 2

You can always find a full index of all the articles on the page under About me in the main menu.



Uk Election Parties Treat Worlds Like Dust

Part 2 of my 2015 Election Wacky Races. Part 1 is here.

This week, with Ed Millipede, amazingly, one point in the lead, the four front-runners take a pit stop and take part in Question Time.

David Caravan
David Caravan

Question Time with Jonathan Dimbleby this week is from King’s College Hospital London and we are discussing the way the NHS has changed under the present Conservative Government; in particular how cuts are affecting the health of patients. We are very lucky to have with us all the current main four Party leaders.

And first I would like to go to David Caravan and ask him whether he thinks his Party’s cuts have gone too far.

David Caravan: Actually, no, I don’t think they have. While I do see, of course, that the tightening of our medical belts – or is that gastric belts, ha! ha! – might represent a challenge to the 20 million odd OAPs, who we are planning to ban from the NHS – oo sorry, George told me not to tell you that – I don’t think for most hard-working people with two legs and two arms, it is a problem. You can still cut off the head of the beast, the NHS beast, and have it function normally. In fact, that is half the problem. It is like a Cerberus. You just can’t kill it! In fact, I think there might be an argument, if the research were done and if it proved feasible, and if trials on children are successful, that we might envisage a situation where working people – patients – might actually not need their heads any more, as such. (Holds his hands up). Now, I know what you are thinking. But a simple medical procedure to painlessly remove the said thinking container would be simple, cheap and effective. There would no longer be a need to feed patients, and the Workers – sorry the hard-workers of this Country, won’t need to think anymore. Indeed, they won’t be able to. This will make Politics and Ruling the Country a whole lot simpler. Continue reading “Uk Election Parties Treat Worlds Like Dust”

Film Review: Metropolis – Fritz lang (1922)

Metropolis Poster
Metropolis Poster

I watched this movie for the first time last night. Mine was the restored length of roughly 170 minutes. In case you don’t know, most of this was thought to be lost until a rather badly damaged 16mm version was found in Buenos Aires in 2008.

The film is obviously showing it’s age so if you want a up-to-date sci-fi epic, try something else. But for it’s time, it has some very strong iconography; the eponymous Metropolis of endless sky-scrapers, surrounded by snaking layer upon layer of grid-locked motorways and railways; the robot-woman, Maria; the towering machines of the underworld; and the epic chiaroscuro street scenes reminiscent of The Cabinet of Dr. Caligari.

The story is basically about the uprising of Workers, who live in a city far below Metropolis, some time in the future. The ruler of the City lost his wife, when she gave birth to his son, who has grown into an athletic star of the elite class. But the ruler has no idea that his son is about to rebel and take up the cause of the Workers. Meanwhile, a genius inventor has found a way to create androids in any likeness and the ruler wants one made to look like his long-dead wife. Or at least, that was my take. Little does he know that not only is the inventor still in love with the dead wife but that a girl called Maria is her spitting-image and the religious leader of the Workers. She ends up becoming the pawn of both these men but also the lover of the hero. Continue reading “Film Review: Metropolis – Fritz lang (1922)”