Tag: Movie review

Blog: Playing for Keeps – by Lazlo Ferran

This week: Sneak Preview, Free offer results, Short Stirlings, philosophy.

Sneak Preview is back!
Yes, I am writing again! It’s taken a few weeks but here is an excerpt from the forthcoming (in the next few years!) novel with the working title December Radio.

December Radio

“Scary the first time but don’t look too long; you’ll be fine,” said Max Schickert, coiling the blue nylon safety line around the taut muscles in his forearm.
It was Davis Connaughy’s first trip to ‘The Telescope’. He looked at the innocent-looking gap between the two boulders with distrust. The noon-day heat of Peru in October was making him sweat slightly after the long hike up the hill above San Ramon. He glanced at the blonde Apollo in front of him and grinned. He turned to look back out across the vast valley of refulgent green, ruffled nearby by the gentle east-north east breeze.
“No problemo. I have done The Cave of Swallows twice!”
“You do realise how privileged you are to be here? Don’t fuck up! And pay attention.” Continue reading “Blog: Playing for Keeps – by Lazlo Ferran” →

Carnival of Souls and Hammer Movie Review

This week: a story’s soul, Frankenstein and the Monster from Hell, Strunk & White: The Elements of Style.

A Story’s Soul
This week I have returned to another incomplete work, December Radio. The story is a sci-fi WWII whodunnit of sorts. So far I haven’t written much, although I have spent many hours thinking about it. The problem is that the story’s soul as I last envisaged it may be too obvious. The problem has been compounded by the recommendation by a friend, based on my description, to read Gravity’s Rainbow. I am on page 50, and so far I have very little idea what is going on; a British Agent is investigating V2 rockets amidst a chaotic kaleidoscope of disjointed feelings, weird characters and disparate locations. What is clear is that the main story is uncomfortably close to mine. A battle has begun for the soul of my story. Attack Hitler’s Bunker was a simple story; men fighting against immense odds for Good. Its soul was born without hiccups on page one. The Ordo Lupus series have their origins in my own private obsessions with the darker side of Religion and more specifically, Faith, God, the Devil and luck. However, both Escher’s Staircase and December Radio have been born of the nebulous (to quote William Shatner) inspiration of a relationship; they have neither a beginning or end. I think the former title has now settled into a comfortable childhood, but the latter may lack something to distinguish it from its distinguished competition. Once I have the soul, the story will tell me what to write. This probably probably sounds kinda whimsy and not a little bit pretentious, but I believe it! If a book doesn’t have a soul it can’t live. Continue reading “Carnival of Souls and Hammer Movie Review” →

4 Film Reviews, including Soldier of God

Shame, Soldier of God, Anna Karenina and First Men in the Moon

Shame

I am a big Michael Fassbender fan. His performance in Inglorious Basterds was up there with the Brandos and Pacino’s of this world. He holds this movie together with a taught, up-tight performance but the movie doesn’t quite deliver. It stops one base short of a home run. Which is a shame because it’s beautifully filmed, paced and has all the ingredients for a good movie.

The locations are very evocative of emotional breakdown which is what you basically see happening. An emotionally repressed young exec – Fassbender is seeking release through sexual-obsession. He is willing to try anything with anyone and has retreated into this world. His workplace provides a sort of second family for him and is the only place he actually connects with people. Into his life, against his will, comes his emotionally fraught little sister – sissy, played by Carey Mulligan. Their parents are no longer around and she seems on the edge of a breakdown. He resents bitterly her pull on his emotions and the clash pushes her even closer to the edge. She is a semi-professional singer and the scene of her performance in a club made my teeth grind.

Carey Mulligan has a good, but untrained voice and the over-egged delivery of New York, New York – in New York, acapella, was a little painful. If Fassbender’s character hadn’t stayed silent, when asked if he though it was good, I would have really disliked this film. The main protagonist’s essential taste is one of things that holds this together.

This movie had the potential to be a 4/5 or 5/5 but it doesn’t quite get there. I think the writer just didn’t want to take the risk that would have been necessary to actually say something of value. I am all for movies that start from nowhere and end nowhere – existential movies in the 60s and early 70s excelled at this – even in Hollywood (I am thinking of a James Caan film where he is a hitman wanting to retire). Those movies start with an unusual premise but this movie just builds around a disfunctional family – nothing unusual these days – 3/5. Continue reading “4 Film Reviews, including Soldier of God” →