Category: HISTORY

Competition: Name the 1960s toy?

To tie in with my recent series on Memories of the 1960s, I am running a competition. It won’t be easy but then my books are worth it! Name all five of the following correctly and win a free eBook of any of my published novels. Entries close at midnight GMT Sunday, 5 October 2014. Please comment with your entry to claim your prize!  There is a bonus object to win 2 eBooks!

1.

toy 1
toy 1

(car manufacturer and type)

Continue reading “Competition: Name the 1960s toy?”

What is 1st Century Jerusalem really like?

This week; Sneak Preview returns and a brief discussion about getting historical accuracy in novels: What was 1st Century Jerusalem really like?

Sneak Preview

Today, I have a little treat for you, the first sneak preview of Ordo Lupus III:

Ordo Lupus III
Copyright © 2014 by Lazlo Ferran
All Rights Reserved.

As we climbed up the sloping streets, myself wearing a black kudra, few even glanced at us.
“Are there usually this many soldiers?” John asked, glancing at a centurion.
“No. There are more than usual, even for Passover. The City has been tense for days now.”
We walked towards Herod’s Palace in the north-west corner of the City. Every pavement and street corner was crammed full of busy traders, customers and stalls, selling food, wine, beer from Egypt, every type of cloth and garment.
“What’s that?” John asked, pointing to a tower, topped with a four-sided pyramid.
“King David’s tomb.” Continue reading “What is 1st Century Jerusalem really like?”

When will repression of creativity stop?

In this day and age, when the creative industry accounts for 8% A of the UK employment (3% in USA, 2012 B) and 5.2% C of UK economy (3.2% of total US Goods and Serviced income 2012, more than the travel and tourism industry D), why is it creative people are still considered outsiders, barely better than criminals, and forced to do paltry 9-5 jobs to support themselves while earning either nothing from their art or actually have to ‘pay to perform’?

It’s time this victimisation stopped!

As far as we know, in ancient Babylon, Egypt and Ancient Israel music was well-established as the ‘conscience’ of society. It was certainly legitimised already in religious ceremonies and temples, where musicians may have earned their crust, and was almost certainly employed in secular community activities such as drinking, feasting and dancing. In the latter, it was entertainment for the masses. This would eventually become the role for which it would generate the most income. Musicians, certainly religious ones, were respected by the community but probably payed a wage similar to many service-sector workers, a subsistence wage. Continue reading “When will repression of creativity stop?”