Lazlo Ferran, Romance, Vampire, Werewolf, Magic and Science Fiction writer writes a guest post on Mohanalakshmi Rajakumar’s blog: ‘How to Write Strong Female Characters‘ This article shows what difficulties are faced and some possible solutions when writing female characters from a male feminist point of view.
Category: thriller editor
I will not be posting very often for a while, because I will be focusing on writing RIP and completing the spy novel, set at the beginning of the Cold War, which is set to be published sometime late in 2016 or early 2017.
However, I will still be sending out my quarterly newsletter, so if you want regular updates, subscribe to the Lazlo Newsletter now.
What more can be said of Tom Cruise in sci-fi roles? He always seems to deliver, so I was expecting something a bit special when I sat down to watch Oblivion last week.
Things were looking good after half an hour; great sets, great scenery and great special effects. Cruise was, as usual, dry in his delivery of Jack’s lines and held my attention.
But then I noticed something odd; Andrea Risborough, as Jack’s girlfriend and teammate Victoria, was acting badly. I thought, ‘Oh yeah, she must be an android and this will all be explained properly later,’ but no, the further into the movie I got, the more it became apparent that Victoria was human, and therefore badly portrayed. I am not saying Risborough can’t act, but she must have been at least badly cast here. It makes all the scenes with Cruise wooden and the love-making scene was just embarrassing. Continue reading “Movie Review: Oblivion, 2013”
So you have your plot of Rudolph’s adventures all worked out and you know where the climax and twist will be. Now you are considering writing the climax and want to know how to show tension when Rudolph can’t get the tractor down a narrow alleyway, or gets stuck in a snowdrift. So how do you show the tension?
It’s not as easy as you might think!
Action Words and Expletives
The first rule is to use more action words when you are writing action sequences. These are words like ‘ripped,’ ‘spun,’ ‘yelled,’ ‘wrenched,’ and ‘panted.’ Continue reading “How to Write a Good Book – Post 5. Varying the Pace”
So Rudolph is desperate to guide the tractor on Christmas eve, but his nose won’t glow properly. Erma makes him an enormous apple pie to make him happy and promises him a good night in bed afterwards. She wants that new TV!
How do you you get the structure of your story right?
For your first draft, don’t worry about structure. Just get the story down. It will come out chronologically, that is, with the events in the order in which they happen. They may not stay this way, but that’s fine for now. Too many writers worry about writing a blockbuster with their first draft. You won’t. All writers have to write a second draft, so don’t try and avoid it. Continue reading “How to Write a Good Book – Post 4. Structure”
Basic Rules of Characterisation
So, in our story about Santa’s sleigh problems, we have Santa, Rudolph, and Rudolph’s wife, Erma!
Now how do you create characters for them? There are no hard and fast rules, but be wary of simply writing the story as it comes into your head without setting the characters. If you do this, the most likely outcome is that all the characters will sound like the same person, or sub-personalities of the same person. For instance:
“Wow! I got an egg for my birthday. Thanks Erma. I really love you. It’s exactly what a male reindeer wants!”
“It’s okay Rudolph. Wow! I really love you too. I’m glad it’s what you wanted.” Continue reading “How to Write a Good Book – Post 3. Characterisation”
I am feeling a bit introspective this week due to the death of a friend recently. So here is a poem.
Why are birthdays so profound?
The years sound out like death bells,
For the lost, those that shot,
their load too soon,
Those that fell, the hours spent waiting,
The messages not sent, the letters not written.
The times you betrayed yourself,
Not wanting to climb the mountain.
I feel lost and found,
At least I know I can wait,
The time has come to do,
Something great for those I love,
I cannot abandon hope,
That I have one last shot, of straight, dark rope,
to pull us through the rotten defile,
and take us over the final mile.
The first three places are:
1st Place, with 6 votes: Focke-Achgelis_Fa_223 – A dual rotor helicopter
When Otto Skorzeny was planning his raid to abduct captured Italian dictator Benito Mussolini from the Albert Rifugio hotel on the Gran Sasso in September 1943, his original choice of aircraft was a Fa 223. The Fa 223 would be able to land directly in front of the hotel. However, the chosen aircraft broke down while en route, and Skorzeny instead was forced to use a Fieseler Fi-156.
The Drache could transport cargo loads of over 1,000 kg (2,200 lb) at cruising speeds of 121 km/h (75 mph) and altitudes approaching 2,440 m (8,010 ft). Continue reading “Hottest, Coolest WWII Gadget Vote Results are in!”
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